Danny Steinmann
| Ngày sinh: | 07-01-1942 |
| Tuổi: | 82 |
| Quốc tịch: | USA |
| Đia chỉ: |
Tiểu sử
Writer/director/producer Danny Steinmann was the son of noted East
Coast art collector Herbert R. Steinmann. Danny made his debut as both
writer and director with the funky hardcore porno picture High Rise (1973), on which he used the alias Danny Stone. Steinmann was a
production associate on Arthur Hiller's The Man in the Glass Booth (1975) and served as an associate producer on the offbeat Gene Roddenberry
made-for-TV supernatural fright feature Spectre (1977). In addition, Danny
headed a production company in Puerto Rico that made TV commercials
for such companies as International House of Pancakes, Chase Manhattan Bank and
Wesson Oil.Danny directed and co-wrote the perverse psycho horror
winner The Unseen (1980). Dissatisfied with the finished version of
the film, Steinmann attributed his directorial credit to
the pseudonym Peter Foleg. He followed this film with the terrifically
trashy teen exploitation action/revenge thriller doozy Savage Streets (1984). Steinmann hit the relative big time with the mean-spirited
slice-'n'-dice sequel Friday the 13th: A New Beginning (1985). Although the
movie was a financial success, the production was very
troubled and proved to be his cinematic swan song.
He was announced as the director for a proposed sequel to the notorious
The Last House on the Left (1972) but, alas, this project never came to be.
Coast art collector Herbert R. Steinmann. Danny made his debut as both
writer and director with the funky hardcore porno picture High Rise (1973), on which he used the alias Danny Stone. Steinmann was a
production associate on Arthur Hiller's The Man in the Glass Booth (1975) and served as an associate producer on the offbeat Gene Roddenberry
made-for-TV supernatural fright feature Spectre (1977). In addition, Danny
headed a production company in Puerto Rico that made TV commercials
for such companies as International House of Pancakes, Chase Manhattan Bank and
Wesson Oil.Danny directed and co-wrote the perverse psycho horror
winner The Unseen (1980). Dissatisfied with the finished version of
the film, Steinmann attributed his directorial credit to
the pseudonym Peter Foleg. He followed this film with the terrifically
trashy teen exploitation action/revenge thriller doozy Savage Streets (1984). Steinmann hit the relative big time with the mean-spirited
slice-'n'-dice sequel Friday the 13th: A New Beginning (1985). Although the
movie was a financial success, the production was very
troubled and proved to be his cinematic swan song.
He was announced as the director for a proposed sequel to the notorious
The Last House on the Left (1972) but, alas, this project never came to be.